Media, 10-31-26

Links to a report from the Moscow Times and to video and transcript of an interview via Consortium News and ScheerPost; other published material is accessible by clicking on their names. (Scroll down for this date’s ALL OF IT. For MEDIA 9-30-26, click HERE.) — MCM

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FROM OCT. 30  Russia’s oldest independent newspaper, Novaya Gazeta, announces closure, by Mack Tubridy | The Moscow Times  Novaya Gazeta, Russia’s oldest and best-known independent newspaper, announced Friday that it will end its run after more than three decades in operation due to growing state pressure against its journalists. READ MORE . . .

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FROM OCT. 30  A people Israel can’t erase*, by Joshua Scheer | ScheerPost / Consortium News  Chris Hedges on his and Joe Sacco’s new book, Requiem for Gaza: “Physically, the book is beautiful. That also counts a lot for Joe. He writes into his contract the size of the book and the weight of the paper. If you notice, the paper weight is heavier than a normal book. That was important, and I think he’s probably right. The material is so incendiary. The New York Times already sent back a notice saying, ‘We’re not reviewing it. Don’t worry. We’re not touching it.’” Click HERE for video and transcript of Oct. 3 interview of Hedges by Art O’Connor in Dublin, Ireland, and for Scheer’s print introduction. 

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*  The interview was previously linked to under GAZA 10-30-26.

 

Gaza, 10-30-26

A link to an interview via Consortium News and ScheerPost; other published material is accessible by clicking on their names. (Scroll down for this date’s WEST BANK, IRAN, YEMEN and UKRAINE, and for GAZA 10-29-26.) — MCM

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A people Israel can’t erase, by Joshua Scheer | ScheerPost / Consortium News  At the launch of the book Requiem for Gaza, Pulitzer Prize–winning journalist Chris Hedges explains how he and cartoonist Joe Sacco set out to preserve what Israel’s destruction threatens to obliterate: the voices and experiences of Palestinians themselves. Click HERE for video and transcript of Oct. 3 interview of Hedges by Art O’Connor in Dublin, Ireland, and Scheer’s introduction.